Gone With the Wind
Bodies will be stacked together on battlefields like so much cordwood.
Josh Glenn is a Boston-based consulting semiotician. He is cofounder of the consultancy Semiovox, editor of the websites SEMIOVOX and HILOBROW, and series editor of The MIT Press's RADIUM AGE. He is an adjunct instructor at RISD and convenor of the monthly online "Semiofest Sessions." His books include The Idler's Glossary, Significant Objects, and the family activities guide Unbored. In the ’90s, Josh published the zine/journal Hermenaut; in the 2000s, he was a Boston Globe staffer and columnist.
Bodies will be stacked together on battlefields like so much cordwood.
What are the implicit assumptions (or “mythologies”) we’ve absorbed?
Shedding inhibitions, going a little wild, having good stories to tell.
The moment at which the Anti-Anti-Utopian Generation grows up.
Pure Hitchcock: tragic and comic at precisely the same instant.
Half-wild denizens of “la zone” on the outskirts of a large town.
Sexy, thrilling, and — thanks to the sandwiches — very British indeed.
Viewers never question Deckard’s humanity… except, perhaps, during this scene.
In the existential jungle, empathy makes a man fitter for survival. But at what price?
In life, as in baseball, things can always get better. Or worse.
“It’s on America’s tortured brow / that Mickey Mouse has grown up a cow.”