
Meet the Semionauts
"Between the experiential cunning of the animal and the more self-disciplined and attentive cunning of the man."
Before analysis can begin, we must venture out and collect data.
"Between the experiential cunning of the animal and the more self-disciplined and attentive cunning of the man."
"Disney sold him into slavery, and he’s nothing. He's nothing."
A non-compact topological group of bare-breasted women in G-strings.
"He’s so much of an institution that we’re limited in what we can do with him."
How to survive not war, but peace, with one’s humanity intact?
"A degenerate 'middlebrow' horror, mass-produced for profit."
Comical yet not funny, equal-opportunity in its portrayal of human folly, artificial in the extreme.
From 1944–1953, Mickey was a Mouse Without Qualities.
Single-night movies aren’t snapshots, they’re moonlit summoning rituals.
Mickey’s repressed characteristics had returned… in a deformed (duckbilled) fashion!
Beatnik gives us anti-highbrow Beat-ness without the exaltation.
Over time, Mickey became progressively more juvenile in appearance.
How best to convey the pathos and tragedy of the Ex-Ex-Human Condition?
Mickey had become a cash cow.